![]() I wanted the world to be magical and colorful and exciting but also unsettling, as if something dark were lurking below the surface (because it is). If The Winter King felt like a myth, then The Sinking City should feel like a fairytale, but not the Disneyfied ones. So, in keeping with traditio I wanted The Sinking City to have a very different feel than my first novel. I wanted the streets of Venice to shimmer, like a spell web you could get caught in if you aren’t careful. I wanted The Sinking City to have a very different feel than my first novel. When she loses everything she relies on, Liona must set a new course that will shake the foundations of Venice itself.more And ruling the dark waters are the Seleni-ageless, cold, and calculating. But what Liona fails to realize is that Venice is a city of stone in a world of water. As a patrician’s daughter, Liona enjoys the sparkling life of a noble family-although she would prefer to be tending to her flowers than practicing violin or standing around in a ball gown. But what Liona fails to realize is th Venice is a carnival of opposites, and Liona Carvatti thinks she understands it all: canal and palace, magician and merchant, plague and pantomime. Venice is a carnival of opposites, and Liona Carvatti thinks she understands it all: canal and palace, magician and merchant, plague and pantomime.
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